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| End Of Scene Blog Entries |
SUNDAY, FEB 3, 2013
Ken makes a scene about an upcoming reading at Ensemble Studio Theatre
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FRIDAY, FEB 1, 2013
Ken makes a scene about joining Season Two of House Of Cards
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SATURDAY, DEC 8, 2012
Ken makes a scene about a letter from Liz Engelman
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THURSDAY, DEC 6, 2012
Ken makes a scene about "Red State Blue State" on This American Life
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MONDAY, NOV 5, 2012
Ken makes a scene about a stage adaptation of Warrior Class for the BBC.
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TUESDAY, OCT 16, 2012
Ken makes a scene about participating in Baltimore Center Stage's MY AMERICA PROJECT, directed by Hal Hartley
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SUNDAY, JUL 29, 2012
Errol Louis makes a scene about Warrior Class on NY1's INSIDE CITY HALL
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WEDNESDAY, JUL 25, 2012
Head critic for NYTimes makes a scene about Warrior Class on WQXR's Around Broadway.
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TUESDAY, JUL 24, 2012
REVIEW: The New York Times makes a scene about Warrior Class.
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TUESDAY, JUL 24, 2012
REVIEW: The Daily News makes a scene about Warrior Class
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TUESDAY, JUL 24, 2012
REVIEW: Variety makes a scene about Warrior Class.
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TUESDAY, JAN 24, 2012
Ken makes a scene about The Montgomery New's Review of FALLOW at People's Light and Theatre Company.
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THURSDAY, JAN 19, 2012
Ken makes a scene about STAGE Magazine's review of FALLOW at People's Light and Theatre Company.
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THURSDAY, DEC 1, 2011
Ken makes a scene about a remarkable piece of writing about the American theatre
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TUESDAY, NOV 22, 2011
Ken makes a scene about a character's stage transformation
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MONDAY, NOV 21, 2011
Ken makes a scene about WARRIOR CLASS online
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TUESDAY, SEP 27, 2011
Ken makes a scene about the Asian American Performers Action Committee
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MONDAY, SEP 26, 2011
Ken makes a scene about the fast work of SCR's casting department
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FRIDAY, SEP 16, 2011
Ken makes a scene about Anne Garcia-Romero's post about LoNyLa
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WEDNESDAY, JUL 6, 2011
Ken makes a scene about the Pew Center for Arts & Heritage's $150,000 grant to FALLOW
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SUNDAY, JUN 19, 2011
A letter from Kaitlin Hopkins - Head of the Musical Theatre Program at Texas State
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TUESDAY, FEB 15, 2011
Ken makes a scene about science plays.
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WEDNESDAY, DEC 22, 2010
Ken makes a scene about Intelligence-Slave making the Houston Chronicles Top Theater Shows of 2010 list
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TUESDAY, OCT 19, 2010
Ken makes a scene about intra out-group persecution.
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WEDNESDAY, OCT 13, 2010
Ken makes a scene about why theater is not a humanity.
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WEDNESDAY, OCT 6, 2010
Ken makes a scene about Athol Fugard's criticism about the failure of modern dramatists
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MONDAY, JUL 26, 2010
Ken makes a scene about the diverse audience of Queens Theater in the Park
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SUNDAY, JUN 6, 2010
Ken makes a scene about the Jewish Herald-Voice's profile of INTELLIGENCE-SLAVE
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WEDNESDAY, JUN 2, 2010
Ken makes a scene about Lee Williams's review of Intelligence-Slave in the Houston Press
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TUESDAY, JUN 1, 2010
Ken makes a scene about his Intelligence-Slave interview with culturemap.com
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SATURDAY, MAY 29, 2010
Ken makes a scene about Everett Evans's review in the Houston Chronicle
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TUESDAY, MAY 25, 2010
Ken makes a scene about sharing a collective spirituality in the theater
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SUNDAY, MAY 23, 2010
Ken makes a scene about seeing the bird through the feathers
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FRIDAY, MAY 21, 2010
Ken makes a scene about tech, letting go of the play and making discoveries in production
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MONDAY, MAY 17, 2010
Ken makes a scene about INTELLIGENCE-SLAVE in the Houston Press
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SUNDAY, MAY 16, 2010
Ken makes a scene about INTELLIGENCE-SLAVE in the Houston Chronicle
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THURSDAY, MAY 13, 2010
Ken makes a scene for the Alley Theatre's Mark Bly
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WEDNESDAY, APR 21, 2010
Ken makes a scene about being playwright 151 in Adam Szymkowicz's blog.
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THURSDAY, APR 8, 2010
Ken makes a scene about changing the name of his play.
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THURSDAY, MAR 18, 2010
Ken makes a scene about pundits and why Tom Hanks is "injecting" racism into World War II.
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TUESDAY, MAR 16, 2010
Ken makes a scene about writing "winning" dialogue.
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MONDAY, MAR 15, 2010
Ken makes a scene about agents and the ecology of show business.
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SATURDAY, MAR 13, 2010
Ken makes a scene about the beauty of the theater actor
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THURSDAY, DEC 17, 2009
Ken makes a scene about non-English language productions
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TUESDAY, NOV 17, 2009
Ken makes a scene about reviewing business books for theater artists
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WEDNESDAY, NOV 4, 2009
Ken makes a scene about THE BIG REWRITE!
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TUESDAY, OCT 27, 2009
Ken makes a scene about the discovery of an algorithm for happiness (7ZJJBYD9U6PX)
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THURSDAY, OCT 22, 2009
Ken makes a scene about Holocaust fiction as a literary genre
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TUESDAY, OCT 13, 2009
Ken makes a scene about Asians who don't go to the theater.
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MONDAY, OCT 5, 2009
Ken makes a scene about the challenge of bravery in the theater.
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MONDAY, SEP 28, 2009
Ken makes a scene about the death of Tragedy and Comedy.
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TUESDAY, SEP 22, 2009
Ken makes a scene about Dave Matthews's statement that racism is "everywhere" in America.
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WEDNESDAY, SEP 16, 2009
Ken makes a scene about why playwrights need websites.
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End of Scene Blog
| Warrior Class on BBC Radio 4 |
| Monday, November 05, 2012 |
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Click here to listen.
From the BBC website:
Warrior Class Duration: 45 minutes First broadcast: Tuesday 06 November 2012 The title refers to the cut and thrust and horse-trading of the American political machine. If accepted into the ruthless game of the Warrior Class, you understand that it's about politics for politics sake. If not - you risk getting dumped and, once the apparatchiks stop working on your behalf, it's very difficult to rise back on your own.
Julius Lee is a local assemblyman who explodes onto the political scene from nowhere, makes a great speech suggesting he could be a congressional candidate and the Republican answer to Obama. The party puts down seed money to begin marketing him. They groom him to take back a seat that has been held by a Democrat for twenty years.
Julius is Chinese, Christian, an ex-marine with a Harvard law degree. He's steely and principled but he knows that 'moves' have to be made.One of the necessary steps is to make sure no skeletons from the past undermine or ruin his meteoric rise. That's where things start to unravel. There's a bitter ex college girlfriend whose description of him is not exactly appealing. She wants a favour in return for keeping quiet.
This tale of backstage life in American politics is the work of Kenneth Lin, a graduate of the Yale School of Drama. He's a political addict engaged in observing the intersection of politics, media and morality.
Music by Jon Nicholls Sound design by Peregrine Andrews Written by Kenneth Lin and adapted by Judith Kampfner
The play was originally produced in New York at Second Stage Theatre 2011. Developed at the South Coast Repertory.
Directed and produced by: Judith Kampfner A Corporation for Independent Media production for BBC Radio 4.
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